18 Mayıs 2012 Cuma

Surrealism


It was an artistic movement that brought together artists, thinkers and researchers in hunt of sense of expression of the unconscious. They were searching for the definition of new aesthetic, new humankind and a new social order. Surrealists had their forerunners in Italian Metaphysical Painters (
Giorgio de Chirico) in early 1910's. 
   As the artistic movement, Surrealism came into being after the French poet Andre Breton 1924 published the first Manifeste du surrealisme. In this book Breton suggested that rational thought was repressive to the powers of creativity and imagination and thus inimical to artistic expression. An admirer of Sigmund Freud and his concept of the subconscious, Breton felt that contact with this hidden part of the mind could produce poetic truth. 
    
Famous Surrealist artists include Marcel Duchamp, Salvador Dali, Max Ernst, Georgia O’Keeffe, Pablo Picasso, MC Escher, Joan Miro, Rene Magritte, and Man Ray.

Salvador Dali


Spanish painter, sculptor, graphic artist, and designer. After passing through phases of Cubism, Futurism and Metaphysical painting, he joined the Surrealists in 1929 and his talent for self-publicity rapidly made him the most famous representative of the movement. Throughout his life he cultivated eccentricity and exhibitionism (one of his most famous acts was appearing in a diving suit at the opening of the London Surrealist exhibition in 1936), claiming that this was the source of his creative energy. He took over the Surrealist theory of automatism but transformed it into a more positive method which he named `critical paranoia'. According to this theory one should cultivate genuine delusion as in clinical paranoia while remaining residually aware at the back of one's mind that the control of the reason and will has been deliberately suspended. He claimed that this method should be used not only in artistic and poetical creation but also in the affairs of daily life. His paintings employed a meticulous academic technique that was contradicted by the unreal `dream' space he depicted and by the strangely hallucinatory characters of his imagery. He described his pictures as `hand-painted dream photographs' and had certain favorite and recurring images, such as the human figure with half-open drawers protruding from it, burning giraffes, and watches bent and flowing as if made from melting wax (The Persistence of Memory, MOMA, New York; 1931).
In 1937 Dalí visited Italy and adopted a more traditional style; this together with his political views (he was a supporter of General Franco) led Breton to expel him from the Surrealist ranks. He moved to the USA in 1940 and remained there until 1955. During this time he devoted himself largely to self-publicity; his paintings were often on religious themes (The Crucifixion of St John of the Cross, Glasgow Art Gallery, 1951), although sexual subjects and pictures centring on his wife Gala were also continuing preoccupations. In 1955 he returned to Spain and in old age became a recluse.
Apart from painting, Dalí's output included sculpture, book illustration, jewellery design, and work for the theatre. In collaboration with the director Luis Buñuel he also made the first Surrealist films---Un chien andalou (1929) and L'Age d'or (1930)---and he contributed a dream sequence to Alfred Hitchcock's Spellbound (1945). He also wrote a novel, Hidden Faces (1944) and several volumes of flamboyant autobiography. Although he is undoubtedly one of the most famous artists of the 20th century, his status is controversial; many critics consider that he did little if anything of consequence after his classic Surrealist works of the 1930s. There are museums devoted to Dalí's work in Figueras, his home town in Spain, and in St Petersburg in Florida.

12 Mayıs 2012 Cumartesi

Pittura Metafisica


Pittura Metafisica (Ital. for "metaphysic painting") denotes a style that came up in Italy as early as in 1911/12, lasting up into the 1920s. The term originates from the main master and founding father of Pittura Metafisica, Giorgio de Chirico (1888-1978). Artists such as Carlo Carrà (1881-1966) and Giorgio Morandi (1890-1964) followed his example around 1917/18. 

A fundamental feature of the Pittura Metafisica, in its literal sense, is the depiction of the object's "super-natural" features (Greek "metá" = beyond; "phýsis" = nature), the object's content beyond its visible features. These ideas had clearly been influenced by Giorgio de Chirico's younger brother Andrea, who was working as a writer and painter under the pseudonym Alberto Savinio. Philosophical concepts of Friedrich Nietzsche and Arthur Schopenhauer also occupied fundamental roles in this context.
The painters of the Pittura Metafisica created coulisse-like and perspectively exaggerated views that seemed like dreams filled with over-sharply modeled figures and objects, which have been taken from their original contexts and rearranged in new and strange relations. Man is also treated as an object - as "manichino", a faceless jointed doll, or as a construct of stereometric basic forms. Isolation, alienation, inexplicability and mysteriousness coin the atmosphere of the calm, motionless Pittura Metafisica that wanted to be less a way of painting than a means of observing. 
In their concept of materiality, but also in terms of style, the artists of the Pittura Metafisica referred to the solemn and strict austerity of the Early Renaissance (Giotto, Masaccio, Piero della Francesca, Paolo Uccello). The simultaneosuly upcoming dynamic Futurism can be perceived as a counter movement to the Pittura Metafisica - Carlo Carrà, up until 1915 one of the leading artists of Futurism, explained his turn to the Pittura Metafisica with the rediscovery of the "principio italiano", which was prevailing in Renaissance.
The Pittura Metafisica had effects beyond the borders of Italy, especially on New Oobjectivity and Surrealism, which both came up up a little later.


5 Mayıs 2012 Cumartesi

DADA




Dada wa
s an artistic and literary movement that began in 1916 in Zurich, Switzerland. It arose as a reaction to World War I, and the nationalism, and rationalism, which many thought had brought war about. Influenced by ideas and innovations from several early avant-gardes - CubismFuturismConstructivism, and Expressionism - its output was wildly diverse, ranging from performance art to poetry, photography, sculpture, painting and collage. Dada's aesthetic, marked by its mockery of materialistic and nationalistic attitudes, proved a powerful influence on artists in many cities, including Berlin, Hanover, Paris, New York and Cologne, all of which generated their own groups. The movement is believed to have dissipated with the arrival of Surrealist in France.
K
ey Ideas
Dada was born out of a pool of avant-garde painters, poets and filmmakers who flocked to neutral Switzerland before and during WWI.
The movement came into being at the Cabaret Voltaire in Zurich in February 1916. The Cabaret was named after the eighteenth century French satirist, Voltaire, whose playCandide mocked the idiocies of his society. As Hugo Ball, one of the founders of Zurich Dada wrote, "This is our Candide against the times."
So intent were members of Dada on opposing all the norms of bourgeois culture that the group was barely in favor of itself: "Dada is anti-Dada," they often cried.
Dada art varies so widely that it is hard to speak of a coherent style. It was powerfully influenced by Futurist and Expressionist concerns with technological advancement, yet artists like Hans Arp also introduced a preoccupation with chance and other painterly conventions.


Richard Hulsenberg
Born on 23 April 1892 in Frankenau, Hessen, Germany, died 1974. Late in his life he lived in New York under the name of Charles R. Hulbeck and practised Jungian psycho-analysis. Took a prominent part in the foundation of the Zürich and Berlin dada movements. He had been an expressionist poet and writer. Came to Zürich in February 1916 as a ware-resistor and immediately came into contact with the "Cabaret Voltaire." He returned to Berlin in January, 1917, initiating the Dada group there. Hugo Ball wrote of him, in his "Escape from Time," on 11 February 1916:
"Huelsenbeck has arrived. He pleads for an intensification of rhythm (Negro rhythm). He would best love to drum literature and to perdition."
Edited the "Dada Almanach" in Berlin in 1920 and wrote "En Avant Dada," a history of dadaism. in the same year. The author of numerous other dada publications. He claimed throughout his life that "dada is still existing," thus placing himself in direct opposition to the other founders of dadaism.

Synchromism



Synchromism, often wrongly spelt as Synchronism, was an American art movement founded in the year 1912-13. Co-founded by Abstractionists Morgan Russell (1886-1953) and Stanton MacDonald-Wright, this purely abstract style was the first to bring America on the international stage of Fine Arts. It is easy to draw a parallel between Synchromism and its Contemporary Art form Orphism, which was essentially a trend or specialization in the Cubist Art that placed a premium on the understanding and the use of colors. Orphism was considered the crucial piece leading to the evolution of Abstract Art from Cubism. The body of works in Orphism was related to the Greek God Orpheus, who represented music, fine arts, and the musical instrument lyre. Synchromism never restricted itself to a particular subject or a group of subjects. Nevertheless, in techniques and forms it remained similar to Orphism

The underlying philosophy of Synchromism is to identify and recreate the colors symmetry, which is considered a similar phenomenon as the harmonization of musical symphonies. The co-founders argued that juxtaposed or lyrically arranged, colors are capable of conveying the message just as the finely orchestrated musical notes. Therefore, the 'early' paintings in Synchromism tend to reduce the use of blended shades, flowing tones, and hues. However, as the trend moved towards complexity in the later stages, such elements began forming a part of Synchromism.
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